I got into the darkroom later in the day, working on the neg I highlighted last week in the blog - the tree and road at the railyard.
It is a flat neg, so I had to improvise and tried to darken the top of the sky. I usually do not manipulate a sky so that it alters the feel of the original scene, but I thought why not, let's see what I can make of it. I am becoming more of a painter with light and chemicals as time passes.
I made 3 prints, but the sky was not right in any of them. I am going to maybe work on it tomorrow if I think it is worth it. I will also tone the prints I made today. I want to see how the Foma warm tone paper reacts to sepia/gold when developed with Dektol rather than LD20.
If I was a composer, I'd give a year of my life to make a piece similar to this:
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